Miró invariably spent every summer through to 1976 at the farm that his parents had bought in 1911. His deep-rooted sense of attachment to the landscape of Mont-roig and later to that of Mallorca, his final home as from the 1950s, would play a decisive role in his work and in his artistic language. Barcelona, Mont-roig, Mallorca and also Paris (in the 1920s), New York (in the 1940s) and Japan (in the 1960s) were all his emotional landscapes–although Mont-roig would always act as a counterpoint, the source of that initial impact which he revisited time and time again.
Due to the exceptional situation and the measures announced by the Governement of La Generalitat related to COVID-19.
THE FUNDACIÓ MAS MIRÓ WILL REMAIN CLOSED TEMPORARILY.
We apologise for the inconveniences this may cause and we are to help to reorganise any visit that has been booked in advance.
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Miró and Mont-roig
"All my work is conceived in Mont-roig."
The origins of Joan Miró’s work and his artistic universe can be traced back to Mont-roig and, in particular, to Mas Miró and its surrounding landscape. It was here, in 1911 after a depression, that he decided to devote himself fully to painting.
The land, the farmworkers’ labours, nature and the landscape are recurrent themes in all his early paintings.